photo credits to pinoynumismatistnetwork.wordpress.com
The Original 500 peso bill. (Read)
UntoldStories: Original 500-peso design bears the late Pres. Ferdinand Marcos portrait
Mr. Romeo MananQuil, the banknote’s designer himself, noted in his site that in the late 1985, his 500-peso Marcos bill was slated for production. However, when a snap election was scheduled, the circulation of the newly printed bills was put on hold in deference to the law against electioneering as Marcos.
How I “Made Money”
for the Bangko Sentral ng Pilipinas
My recollections of my personal story behind
the redesigning of the Philippine bank notes and coins
by Romeo Castillo MananQuil
as told to Isa I. Palanca
(published in Celebrate magazine, Fall 2008, Toronto, Canada)
In 1982, while I was teaching at the UP College of Fine Arts, I received a phone call that led to a most important assignment in my life as an artist. I was asked to be a part of the team redesigning bank notes and coins for the Bangko Sentral ng Pilipinas, after an official saw a pencil portrait sketch I have done of Don Andres Soriano in a San Miguel Corporation. It was not difficult at all to say yes to the task. I was eager to be part of the numismatic history of my country and have my art on any one of the new notes or coins
The design work was divided among the artists. With the new 500-peso bill, I was asked to do a portrait of then President Ferdinand Marcos. I decided to render a casual and relaxed portrait of Marcos on one side of the bill, while the other would feature an illustration of the Batasang Pambansa. However, after we had finished the first new design, the team that had originally been given the task was dissolved and I found myself having to form a new team. Though this momentarily stalled the project, it also gave mme the opportunity to handpick 2 artists who with me would make history. The new team was made up of myself, Angel Cacnio, a fellow magazine illustrator and painter and Rafael Asuncion, my former creative director at J. Walter Thompson Co. where I trained as a student in advertising.
We divided the assignment, sharing the design work for all the new coins and bills. My 500-peso Marcos bill was to be joined by my redesign of the 5-peso and 1000-peso bills, while Cacnio took the lead on the 20 and 100-peso bills as Asuncion worked on the 10 and 50-peso bills. Each artist submitted designs based on the guidelines provided to us by the BSP Numismatic Committee, who then approved which were to be used on the coins. My rendering of Andres Bonifacio and of a coconut tree were to appear on the 2-peso decagonal coin, while the 10-centavo coin would feature my renderings of the Pygmy Goby
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